Jamie Sasso is a bright young girl with a gift for running track and not much else in her favor. She’s a homeless teenager living in a 1960 Pontiac after her adoptive parents have both died and her experiences in foster homes have ended in disappointment. Dominic Santa, the social worker assigned to her case, personally disapproves of Jamie’s choice to live in a car but supports her decision after clearing it with the authorities – on the condition that she continue to attend school and check in with him regularly. At first Jamie gets support from the community, but as time goes by, her fellow students start to bully her. Running with the boys’ cross-country track team – there is no girls’ team for her to join – is one of the few things that keeps her going, but things get more intense when some of the other students vandalize the old car in the woods that she calls home.
Fred Misurella’s novel A PONTIAC IN THE WOODS is not a book meant to raise a voice against homelessness – who would be in favor of homelessness? – nor is it a novel meant to tug at readers’ heartstrings and make one feel for the homeless. It is a book that makes the reader feel what it’s like to be homeless and try to survive in the face of overwhelming odds. It forces readers to imagine themselves in the same predicament Jamie is in and dread what might come next, as well as grasp at any reason for hope. Misurella doesn’t use any symbolic tropes to convey Jamie’s condition, just stone cold reality of her situation. (The only real symbolism is the car itself, immobile and unusable for escape, and bearing a retired brand name.) The most astonishing aspect of A PONTIAC IN THE WOODS is how an adult male writer like Misurella perfectly conveys the perspective of a female teenager. Not since Charles Portis has a novelist been able to bring to life such a complex character of the opposite sex so vividly, with such unvarnished emotion and detail. And Misurella does it with Jamie as the narrator of her own story.
The characters in Jamie’s tale of struggle are just as compelling, along with the associations they share. Mr. Santa – Jamie’s social worker – is at times a stern guardian and at times a gentle soul who lets her stay with him and his adopted son Jake when she needs emotional support, while Craig Span, the high school track coach, is both supportive toward her running ability and misogynistic toward her tomboyish nature. Ciara, a dancer/waitress at a local Lebanese restaurant, is a sympathetic voice who advises Jamie like a big sister. The most fascinating character in A PONTIAC IN THE WOODS after Jamie, though, is Misha, the adopted son of an intellectual couple who takes an interest in her and becomes her best friend. Through Misha, Jamie learns about music and art, and she finds herself drawn to him, possibly from a romantic standpoint. Soon they start dancing together an enter local competitions. But just when you think you know where their relationship is going, Misurella throws some twists and turns into Jamie’s story you don’t see coming.
A PONTIAC IN THE WOODS has a surprise ending that satisfies readers but leaves the story open, leaving them wondering if Jamie is going to make it. From beginning to end, though, this novel expertly shares the struggle Jamie endures and makes it the readers’ own.
Beautifully and empathically written, A PONTIAC IN THE WOODS is a brutal and brutally honest tale of Jamie Sasso, a teenage girl who lives in an abandoned car and struggles against the odds to make it on her own. The characters are fascinating, the reality of Jamie’s situation is starkly depicted, and Fred Misurella deserves a call from Hollywood for the movie rights.
~Steve Maginnis for IndieReader