Andrew Stout is a writer. His journalism has appeared in The Economist, Vanity Fair, The Atlantic online, and The Village Voice, among other publications. He is working on a book about humor in art and design as well as a dictionary of love clichés.
An animal or plant — or maybe even an ovum — talks. Sometimes to itself, but more often to another of its kind. The idea is simple, but the execution is smart and almost always funny in Scott Semegran’s collection of 140 four-panel comics drawn between 2004 and 2008, “Mr. Grieves”. Read On »
While Woolf’s regard for the reader might be inspiring to any writer, her commitment to making books that stand as beautiful objects is instructive to independent author-publishers in particular. Read On »
Who was the first person to pick up a book, dust its cover, thumb its pages, and think “you know, this really should be more than a book — there should be some, I dunno, music or something to go with this, too, to make it, er, immersive?” Read On »
Kathryn Desforges doesn’t remember much about March 2, 2010. It was a Tuesday. She got up around nine. The weather was bright, the house was silent. But when her boyfriend came back for lunch she had to tell him to keep quiet, begging the perfectly reasonable question for an outside observer: why? Read On »
Each book is a world unto itself — a sort-of art object, with its formatting, color, and typography lovingly chosen by the author. The entire floor space of the shop speaks to the idea that the beauty of a book can stretch far beyond its text. Read On »